What is a cultural heritage landscape?
Written by Admin, Admin •
In our last post, Shared Path announced that we would be taking on a new research project exploring the use of Cultural Heritage Landscapes (CHL) as a policy tool with the potential to braid Indigenous knowledges into the land use planning system.
Before moving ahead with our research question, let’s take a step back and look at the history of this tool and how it has been considered in Ontario’s planning policy regime.
As noted in our previous post, the international community started recognizing heritage landscapes in the early 1970s with the introduction of the World Heritage Convention (WHC) at the United Nations (UN). For the first time on the world stage, policy makers identified the importance of human interaction with nature, while balancing a need for conservation.
The WHC was inspired by of the construction of the Aswan High Dam in the late 1950s by governments of the United Arab Republic (U.A.R.; now Egypt and Syria) and Sudan. They turned to UNESCO for assistance in saving the ancient sites and monuments of Egyptian Nubia, which became threatened by the proposed lake that would rise up behind the new dam. UNESCO responded with an appeal to the international community for assistance, and the result was the largest archaeological rescue operation in history.
International lawmakers enhanced the power of the WHC in 1992, when they made cultural heritage landscapes eligible for the World Heritage List. This category ensured “the recognition of ‘the combined works of nature and man’ of ‘outstanding universal value’” of these landscapes, as highlighted under the definition of cultural heritage in Article 1 of the Convention.
Cultural heritage policies were first enacted in Ontario under the 1996 Provincial Policy Statement (PPS). Each iteration of the PPS released since then has included increasingly expansive definitions of CHLs that highlight not only their tangible aspects – such as buildings, perimeters, and unique features – but also their intangible aspects, like how we interact with these spaces to help us create a cultural memory or history.
A cultural heritage landscape is identified by the province as “a defined geographical area that may have been modified by human activity and is identified as having cultural heritage value or interest by a community, including an Aboriginal community. The area may involve features such as structures, spaces, archaeological sites, or natural elements that are valued together for their interrelationship, meaning or association.”
Table 1. The 3 Categories of World Heritage Cultural Landscape
|Cultural Landscape Category||Extract from paragraph 39 of the Landscape Operational Guidelines for the Implementation of the World Heritage Convention Category|
|(i)||The most easily identifiable is the clearly defined landscape designed and created intentionally by man. This embraces garden and parkland landscapes constructed for aesthetic reasons which are often (but not always) associated with religious or other monumental buildings and ensembles|
|(ii)||The second category is the organically evolved landscape. This results from an initial social, economic, administrative, and/or religious imperative and has developed its present form by association with and in response to its natural environment. Such landscapes reflect that process of evolution in their form and component features. They fall into two sub-categories:|
• a relict (or fossil) landscape is one in which an evolutionary process came to an end at some time in the past, either abruptly or over a period. Its significant distinguishing features are, however, still visible in material form.
• a continuing landscape is one which retains an active social role in contemporary society closely associated with the traditional way of life, and in which the evolutionary process is still in progress. At the same time it exhibits significant material evidence of its evolution over time.
|(iii)||The final category is the associative cultural landscape. The inclusion of such landscapes on the World Heritage List is justifiable by virtue of the powerful religious, artistic or cultural associations of the natural element rather than material cultural evidence, which may be insignificant or even absent.|
Our heritage protection mechanisms tend to focus on individual properties, buildings and defined conservation districts, which often possess more defined boundaries than CHLs. This was reflected in an Ontario Heritage Tool Kit released in 2006, which alludes to the concept of CHLs without explicitly using the term.
The most recent PPS, rolled out in 2020, states under section 2.0 that “Ontario’s long term prosperity, environmental health, and social well-being depend on conserving biodiversity, protecting the health of the Great Lakes, and protecting natural heritage water, agricultural, mineral and cultural heritage and archaeological resources for their economic and social benefits.” Further into that section, the PPS delineates between Natural Heritage Systems and Cultural and Heritage Archaeology.
The way the policy is written, we still see echoes of European sensibilities that shape our systems: a) that heritage is worth protecting because of what it provides for modern and future populations, and b) that nature and culture, or nature and humans, are treated as two separate entities.
Our next post will explore Indigenous perspectives on CHLs, how they may differ from the ethos that shape current heritage protection systems, and how global Indigenous communities have used CHLs.
Baird, M. (2012). Indigenous cultural heritage landscapes and the politics of heritage in Cultural Heritage Rights.
This article is brought to you by the Ontario Trillium Foundation’s Resilient Communities Grant. We thank them for their ongoing support!